The second installment ends on a cliffhanger, with some major loose ends lingering. This story picks right back up, as hard-boiled chain-smoking detective Reiji takes center stage in a bleak 1950s snow-covered Tokyo. Reiji's brief love affair with the mysterious high school student Toko ended in something of a disaster, with Toko's death and their baby kidnapped by a crazed killer. Reiji's ostensibly searching for the child, though leads are scarce and he's as defeated and worn-out as the wintry backdrop. Of course, death and devastation seem to follow this man wherever he goes, and a new spree of killings begins. This one appears to be linked to Reiji's cases of old, and delves into the underground art trading (and forgery) scene. There are some additional goings-on as well, vignettes resurrected from part two. And a whole bunch of characters, new and old. I mean, a TON of characters. It's tough to keep track of them. The series utilizes realistic artwork, and since Japan is an ethnically homogenous country (based) every single person has dark eyes and dark hair, save the striking Italian girl. No Rayearth style ladies here. There's a chart to keep track of everyone, informing the player who is alive, who's dead, who's boning, etc. Hilariously convoluted.
Note I said "halfway through" -- when the game feels like it could be wrapping up there's a massive time skip to the 1960s. This feels like it was done largely for plot convenience, as Reiji is now searching for a missing child instead of a baby. The second arc of The Shell Part III takes Reiji and pals to rural Japan where some young girls have gone missing, and "angel" murders have begun anew. Simultaneously there's a sort of Hannibal Lecter cat and mouse relationship playing out between Reiji and an escaped serial killer who is something of the "mastermind" behind everything. The second mystery is as compelling as the first, and even creepier as so much is told through the perspective of one of the girls. This mystery's eventual resolution reveals much about the first one as well, as well as the events of games prior.
Mess of a story aside, the actual line-by-line writing was compelling enough to keep me coming back to this. These are mysteries that needed solving, absurdities be damned. The translation is mostly good, though there are clearly some Westernized lines. While largely told via Reiji's perspective, there are plenty of third-person segments highlighting various victims, killers, friends. These sections are both necessary and integrated well (and characters still "think" during the third-person moments). As per tradition, there's also a lovely (yet harrowing) "storybook" sequence near the tale's end. The character art is phenomenal, soft and wispy and more in line with Flowers than with the Kara no Shoujo predecessors. Music is old, new, and all over the place. The ambient pieces are great while the jazz is a mixed bag. The pieces that play in the coffee shop contain vocals and are grating and TERRIBLE. Not just compositionally, but because the song vocals clash with the voice acting. When it comes to the voice acting itself... well, the women sound just fine but these male voice actors are phenomenal. Perfect fits for each role: every detective sounds appropriately jaded or disgusted or enraged. And yes, there's a voiced MC. I guess I'll mention the adult content. It's here and present, but not what I expected. There's enough violence and nudity to warrant the usual Steamcel censorship, but the sex is really toned down here overall. Plenty of bewbs but no genitals and blessedly no DESCRIPTIONS of sex either (Cartagra featured the word "glans" like five times in the script I shit you not). Feels like most VN developers are drifting away from the ultra-graphic stuff.
Even accounting for the completely disordered narrative, I still like this well enough. There are some serious lows (and straight up chaotic nonsense), but select wintry atmospheric horror portions are absolutely perfect. Basically a 7/10 game but a 10/10 must-play series.
Rating: 3.5/5
Reviewed: 9/23/25